It was nominated for a record 124 Emmys, winning 22.Ĭlooney wasn’t the only star to do his rounds on ER. Clooney’s exit episode clocked up 35 million viewers in the US alone – five million more than Friends, still in its prime, was pulling in at that time. Arriving five years before the Sopranos – the rosetta stone of “prestige TV” – ER was just as groundbreaking in its own way (and arguably far more watchable today). Which is why his farewell scene, aired March of that year, in which he and fellow emergency room medic Mark Greene (Anthony Edwards), chug beer in sub zero temperatures, felt so powerful.Īnd his old-school wattage fuelled the ER phenomenon. In 1999 he was still best known to the world as the alter-ego of Dr Doug Ross, the stethoscope wielding bad boy from hit drama ER.
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And then, the face of the biggest TV show on the planet. But he used to be – first a failed college basketball player, then a door-to-door salesman. So much so that it can be a slight effort to remember when he was somebody else.
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It’s one reason why his starring role in a new adaptation of Joseph Heller’s Catch-22 is such a big deal.Ĭlooney is the archetypal movie star: suave, occasionally outspoken, always charming. He’s essentially stayed away ever since (the occasionally cameo notwithstanding). Such was the manner in which George Clooney, heartthrob of his generation and the most famous doctor in TV history, bowed out of television 20 years ago. “I’m trying to remind myself why I’m so happy getting the hell out of here.” “If this isn’t the coldest place on earth, I don’t know what is,” said the first, pausing to swig. The air was so icy you could see his breath, along with that of the colleague beside him. On a freezing winter morning early in 1999, a former door-to-door shoe salesman sat on a bench in downtown Chicago, sipping from a liquor bottle.
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